Just like any form of art, music is the product of a combination of different elements, each with its own importance, that comes together to complete a piece. In music, it’s the melody, harmony, tempo, dynamics, lyrics, and finally the vocals that make the fundamental elements. Without even one of these, music becomes noise, and what was meant to soothe becomes a disturbance.
Tempo, one such integral music element, has been studied for the significant differences it can bring to music with little variations. Owing to this feature of a tempo, over 20 different types of varying intensity or speed have been recognized.
Tempo, in musical terminology, refers to the pace or speed of a track. The unit of measurement is beats per minute, however, different genres of music refer to the tempo in different ways.
A standard tempo is generally set by conductors of orchestra or bands, or the main lead singers, in occasions when a team is involved in music-making. The tempo set by the primary musician is then followed by the team. However, modern adaptations and modifications have found the scope of varying tempos in a single piece of music, which means, such pieces can go from slow to fast and back to moderate and cater to different musical pleasures.
Though technically, it defines the speed of music, however, for listeners, a piece’s tempo, to a great extent differentiates genres and determines the feel of the music. For instance, pop songs have a higher tempo than blues and melancholy. In that sense, we can safely assume, without great knowledge that raps have the fastest tempos. Similarly, a happy, joyous song will generally have a faster tempo than a sentimental or romantic track.
The practice of following a predetermined tempo began back in the early 18th century during the period of Renaissance in Europe. Musicians had come to the realization that most soothing music flows at a tempo that synchronizes with the beats of a human heart. The understanding quickly developed into a science in music.
As Italian has been the language of music since ancient times, the most basic indications or markings of tempo came to be formalized in this language. These standard tempo markings include regular words used to depict speed in Italian; for instance, presto translates to fast and resembles one of the fastest tempos in music. Even classical music refers to tempo using the Italian terminology.
However, some modern genres like electronic pop music prefer the easily measurable BPM markings over any terminology.
If the tempo terminology confuses you, we have curated a simplified reference in the form of this table for you. For your convenience, we have arranged the tempos in a range ascending from slow to fast. Know your tempos below:
TEMPO DESIGNATION |
TEMPO CHARACTERISTICS |
BEATS PER MINUTE (BPM) |
|
Standard Value |
Metronome Maelzel |
Metronome 1950 |
Modern Metronome |
|
Largissimo |
Stagnant, slow-moving |
<24 |
|
|
|
Adagissimo |
Very slow, snail-like |
24 |
|
|
|
Grave |
Solemn, gentle |
25-45 |
|
44 |
|
Largo |
Relaxed, comfortable |
40-60 |
40 |
46 |
50 |
Lento |
Quiet |
45-65 |
52 |
52 |
|
Larghetto |
Cozy, sluggish |
60-66 |
|
50 |
60 |
Lentamente |
Serene |
|
|
|
|
Adagio |
At ease, sleepy |
66-76 |
60 |
54 |
70 |
Adagietto |
Calm, peaceful |
72-76 |
|
|
|
Andante |
Moderately slow |
76-108 |
69 |
|
100 |
Andantino |
Slightly fast, light-hearted |
80-108 |
|
66 |
|
Con Moto |
Fairly moderate, a bit quick |
|
|
|
|
Marcia Moderato |
Modest, low |
83-85 |
|
|
|
Andante Moderato |
Sober, mildly fast |
92-98 |
|
|
|
Moderato |
Moderately fast and a bit restrained |
98-112 |
84 |
80 |
110 |
Allegretto |
Moderately fast |
102-110 |
100 |
100 |
|
Allegro Moderato |
Moderately swift |
116-120 |
|
|
|
Allegro |
Quick, lively |
120-156 |
|
|
|
Vivace |
Lively, rapid |
156-176 |
|
|
|
Vivacissimo |
Very fast and lively |
172-176 |
|
|
|
Allegrissimo |
Very Fast |
172-176 |
|
|
|
Rapido |
Sporty, volant |
|
|
|
|
Presto |
Turbo, energetic |
168-200 |
160 |
144 |
180 |
Prestissimo |
Extremely fast, zestful, maximum limit |
>200 |
184-240 |
184 |
200 |
With humans, the music that they play and produce has considerably evolved. Different concepts and applications have sprouted out of simple elements. Let’s have a look at a few.
Over the years, several such genres have developed that don’t restrict themselves to the standard options of already defined tempos. These music forms prefer following their own tempo and have risen to popularity in the form of a ballad, bossa nova, or Latin rock. These might also be presented in the form of fusion names like ‘slow blues’ or ‘medium shuffle’.
Rubato is an Italian term, which when associated with tempo in music theory, typically means a lack of tempo in a piece. This is different from the above concept in the sense that it broadens the scope of a song. It can be played at any speed, the tempo can be changed in any section, and there’s no need to stick to any one tempo. It is used in a highly variable form of music.
These involve going beyond the maximum tempo that is known and used with the help of the effect of instruments. For instance, drum rolls are demonstrations of extreme tempos, which cannot be categorized into any of the available markings because the beats per minute are almost impossible to determine and follow.
The knowledge and understanding of music tempos are considered to be pivotal as most songs and pieces find their basis in them. Metronomes, or tempo counter instruments, have been devices especially for the purpose of getting, setting, or testing the tempo right. However, this should not snatch away the liberty and creativity of musicians to experiment with everything in between whatever is standardized.
Play around with tempos, maybe you’ll end up finding the one that suits you the most.